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The myth purportedly explains the origin of the laurel tree and its connection to Apollo, although "Apollo was emphatically associated with the laurel before the advent of the Daphne myth." [ 1 ] Details vary between different versions, but the beautiful nymph Daphne rejects the love of Apollo and is turned into a tree.
A plasterwork depiction of Apollo and Daphne, English, second half of 16th century. Daphne's fingers are shown as leaves, whilst Apollo is identifiable by his quiver of arrows slung over his shoulder. Dafne (1598), opera by Jacopo Peri and Jacopo Corsi to a libretto by Ottavio Rinuccini
Apollo and Daphne (c. 1470–1480) by Antonio del Pollaiuolo depicts one tale of transformation in the Metamorphoses—Apollo lusts after Daphne, but she is changed into a bay laurel and escapes him. The different genres and divisions in the narrative allow the Metamorphoses to display a wide range of themes. Scholar Stephen M. Wheeler notes ...
English: The nymph Daphne prayed for rescue when she was pursued by the god Apollo. When he touched her, she was turned into a laurel. This is a story from Ovid's 'Metamorphoses', Such pagan fables were popular subjects to decorate furniture in Florence.The landscape, like that in the altarpiece of the 'Martyrdom of Saint Sebastian', is based on the Arno valley near Florence, and is likely to ...
Apollo e Dafne (Apollo and Daphne, HWV 122) is a secular cantata composed by George Frideric Handel in 1709–10. Handel began composing the work in Venice in 1709 and completed it in Hanover after arriving in 1710 to take up his appointment as Kapellmeister to the Elector, the later King George I of Great Britain. [1]
Viewing the sculpture from this angle allowed the observer to see the reactions of Apollo and Daphne simultaneously, and thus to understand the narrative of the story in a single instant, without the need to move position. [8] When viewed from the left, neither face and little of Daphne's body is visible.
The poem’s 4th stanza continues to identify the garden with a retreat from sexuality. It includes allusions to the myths of Apollo and Daphne and Pan and Syrinx from Ovid’s Metamorphoses, stories that both describe a nymph’s escape from threatened rape through transforming into a plant. The speaker claims that "Apollo hunted Daphne so ...
La Dafne (Daphne) is an early Italian opera, written in 1608 by the Italian composer Marco da Gagliano from a libretto by Ottavio Rinuccini. It is described as a favola in musica (fable set to music) composed in one act and a prologue. The opera is based on the myth of Daphne and Apollo as related by Ovid in the first book of the Metamorphoses.