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Heldentenor Ludwig Schnorr von Carolsfeld and his wife, Malvina, in the title roles of Tristan und Isolde, 1865.. A heldentenor (German: [ˈhɛl.dn̩.teˌnoːɐ̯] ⓘ; [1] English: heroic tenor), [2] [3] [4] earlier called tenorbariton, [1] is an operatic tenor voice, most often associated with Wagnerian repertoire.
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
In bowed string music, an indication to discontinue extended techniques such as sul ponticello, sul tasto or col legno, and return to normal playing. The same as "naturale". organ trio In jazz or rock, a group of three musicians which includes a Hammond organ player and two other instruments, often an electric guitar player and a drummer.
Tenor range: The tenor is the highest male voice within the modal register. The typical tenor voice lies between C3 (one octave below middle C) to C5 (one octave above middle C). The low extreme for tenors is roughly B ♭ 2 (the second B-flat below middle C). At the highest extreme, some tenors can sing up to F5 (the second F above middle C). [6]
A jazz term which instructs chord-playing musicians such as a jazz pianist or jazz guitarist to perform a dominant (V7) chord with altered upper extensions (e.g. sharp 11th, flat 13th, etc.). altissimo. Very high. alto. High; often refers to a particular range of voice or instrument, higher than a tenor but lower than a soprano (e.g. alto sax) amp
Baritenor (also rendered in English-language sources as bari-tenor [1] or baritenore [2]) is a portmanteau (blend) of the words "baritone" and "tenor". [3] It is used to describe both baritone and tenor voices. In Webster's Third New International Dictionary it is defined as "a baritone singing voice with virtually a tenor range". [4]
Within choral music the system is collapsed into only four categories for adult singers: soprano and alto for women, and tenor and bass for men. [7] In England, the term "male alto" is used to refer to a man who uses falsetto vocal production to sing in the alto section of a chorus.
Passaggio (Italian pronunciation: [pasˈsaddʒo]) is a term used in classical singing to describe the transition area between the vocal registers.The passaggi (plural) of the voice lie between the different vocal registers, such as the chest voice, where any singer can produce a powerful sound, the middle voice, and the head voice, where a penetrating sound is accessible, but usually only ...