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The combination of chromatic modulation with enharmonic modulation in late Romantic music led to extremely complex progressions in the music of such composers as César Franck, in which two or three key shifts may occur in the space of a single bar, each phrase ends in a key harmonically remote from its beginning, and great dramatic tension is ...
Flight Pattern is a one-act contemporary ballet performed in 30 minutes. [1] The music inspired the structure of the choreography, with a long and slow crescendo that transitions to a single voice. Crystal Pite, the choreographer of this piece, mimicked this structure in the creative process. She focused first on the large scale of the crisis ...
Patter section of Rossini's "Largo al factotum". A form of rapid patter occurred in the parabasis in ancient Greek comedies. [5] The 16th-century French composer F. de Lys published a song "Secouhez moy" set in what the Grove Dictionary of Music and Musicians calls "a syllabic, patter-song manner". [6]
Tension occurs when the music (and the listener with it) is pulled away from the tonic. Tchaikovsky "not only increases the contrasts between the themes on the one hand and the keys on the other," but ups the ante by introducing his second theme in a key unrelated to the first theme and delaying the transition to the expected key.
Cadences often include (and may be emphasized or signalled by) a change in the prevailing rhythmic pattern; in such cases the final note of the cadence usually takes more time (a longer note value, or followed by a rest, or both), and within a piece of music the cadences may also share a rhythmic pattern that is characteristic of the cadences ...
Opera – Dramatic work in one or more acts, set to music for singers and instrumentalists. Ricercar – Instrumental composition featuring imitative counterpoint. Sequence – Chant or hymn sung or recited during the liturgical celebration, typically following the Alleluia.
Portrait of composer C.P.E. Bach. The older Italian sonata form differs considerably from the later sonata in the works of the Viennese Classical masters. [1] Between the two main types, the older Italian and the more "modern" Viennese sonata, various transitional types are manifest in the middle of the 18th century, in the works of the Mannheim composers, Johann Stamitz, Franz Xaver Richter ...
Common practice period – period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.