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Act 3, Scene 2: The Kitchen- Slaves at Work Act 3, Scene 3: Sitting Room Act 3, Scene 4: In the Forest near Dr. Gaines's Property Act 3, Scene 5: Room in a Small Cottage on the Poplar Farm Act 4, Scene 1: Interior of a Dungeon, likely the basement of Dr. Gaines's Estate Act 4, Scene 2: The Parlor of Dr. Gaines Act 4, Scene 3: In the Forest near ...
Censorship of the play Dom Juan or The Feast of Stone (1665), by Molière, is documented in the article La scène du pauvre, Paris 1682, dans ses deux états.. Dom Juan or The Feast of Stone (1665) presents the story of the last two days of life of the Sicilian courtier Dom Juan Tenorio, who is a young, libertine aristocrat known as a seducer of women and as an atheist.
In Act 4, Scene 1, all references to Walter Whitmore's name as Gualtier are absent (ll.38–39). The entirety of Act 4, Scene 5 (a brief scene showing Scales and Gough on patrol at the Tower of London) is absent. In Act 5, Scene 1, some of the dialogue between Clifford and Warwick is absent (ll.200–210).
The Palace at Westminster, King Henry and the Prince of Wales (Shakespeare, King Henry IV, Part 2, Act 4, Scene 4), first published 1795, reissued 1852, Robert Thew, after Josiah Boydell. Henry IV, Part 2 is a history play by William Shakespeare believed to have been written between 1596 and 1599.
In a final act to break her, Varrish calls in Dain and commands him read Violet's memories, which he does. After seeing the truth, Dain frees Violet just as Xaden and Garrick arrive. Xaden and ...
Radamès (Giuseppe Fancelli) and Aida (Teresa Stolz) in act 4, scene 2 of the 1872 La Scala European première (drawing by Leopoldo Metlicovitz) Verdi originally chose to write a brief orchestral prelude instead of a full overture for the opera. He then composed an overture of the "potpourri" variety to replace the original prelude.
La dama del alba ("The Lady of the Dawn" in English) is a Spanish play written by playwright Alejandro Casona in 1944. It is a fantasy-drama in which Death personified is the main character.
Frontispiece and title page of Le Bourgeois gentilhomme from a 1688 edition. Le Bourgeois gentilhomme (French pronunciation: [lə buʁʒwa ʒɑ̃tijɔm], translated as The Bourgeois Gentleman, The Middle-Class Aristocrat, or The Would-Be Noble) is a five-act comédie-ballet – a play intermingled with music, dance and singing – written by Molière, first presented on 14 October 1670 before ...