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Mural is a largely abstract work with the suggestion of several human figures walking, or possibly birds, or letters and numbers, in broad swirls of black and white. It combines influences from artists such as Thomas Hart Benton, Albert Pinkham Ryder and El Greco, and Mexican mural artists such as David Alfaro Siqueiros.
No. 6 (Yellow, White, Blue over Yellow on Gray) is a 1954 oil on canvas painting in a color field style by Latvian-born American artist Mark Rothko created in 1954. After his experiments with mythological themes and Surrealism to express tragedy he turned to depicting irregular and painterly rectangular regions of color.
Mark Rothko (/ ˈ r É’ θ k oÊŠ / ROTH-koh; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970) was a Latvian American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.
The work was first exhibited at the Museum of Modern Art, New York in 1961 [1] but is now in the collection of the Museum of Contemporary Art, Los Angeles. [2] Similar to Rothko's other works from this period, No. 61 consists of large expanses of color with dark shades. Rust and Blue was a part of the Color Field movement.
It essentially involved abstract paintings with large, flat expanses of color that expressed the sensual, and visual feelings and properties of large areas of nuanced surface. Art critic Clement Greenberg perceived Color Field painting as related to but different from Action painting. The overall expanse and gestalt of the work of the early ...
Gene Davis also was a painter known especially for paintings of vertical stripes of color, like Black Grey Beat (1964) and he also was a member of the group of abstract painters in Washington, D.C. during the 1960s known as the Washington Color School. The Washington painters were among the most prominent of the mid-century color field painters.
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