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The oozlum bird, also spelled ouzelum, is a legendary creature found in Australian and British folk tales and legends. Some versions have it that, when startled, the bird will take off and fly around in ever-decreasing circles until it manages to fly up its own backside, disappearing completely, which adds to its rarity. [ 1 ]
His best known works were "The Great Australian Adjective", and "The Oozlum Bird". [4] Norman Lindsay, who illustrated the reprint volume of Goodge's only poetry collection, considered the poet better than C. J. Dennis. "Goodge, with his Hits! Skits! and Jingles!, is a much better light-verse writer than Dennis, and his book should be reprinted ...
A reviewer in The Truth from Sydney noted: "The little volume of verse, it would be absurd to call it poetry, which he has just published, is destined to be widely popular, for in its pages are contained many quaint conceits and merry quips, such as a people love to read—not for instruction, not for education, but for amusement, for mental recreation.
Soon more people reported seeing this bird, and sketches were made. Eventually, the legend of the bird would become so great that a statue was erected at the club in its honor. The Oozlefinch was used on the insignia of the Railway Artillery Reserve during World War I ; In some descriptions, this bird is a pelican. [ 2 ]
The "Algy" poem is not a piece of nonsense because it describes a situation which could happen in the real world (although it almost certainly won't). The "elephant" poem is nonsense because it describes something which can't happen in the real world (although, each of the concepts may be relatively easy to visualise in our imaginations).
It is the eighth poem in the collection known as the Lais of Marie de France, and the poem is only found in the manuscript known as Harley 978 (also called manuscript H). [1] Like the other poems in the collection, Laüstic is written in the Anglo-Norman dialect of Old French , in couplets eight syllables long.
The duck, flying across the sunset, seemed to Bryant as solitary a soul as himself, and he wrote the poem that evening. [4] "To a Waterfowl" was first published in the North American Review in Volume 6, Issue 18, March 1818. [5] It was later published in the collection Poems in 1821. [1]
The poem consists of thirteen short, separate sections, each of which mentions blackbirds in some way. Although inspired by haiku , none of the sections meets the traditional definition of haiku. It was first published in October 1917 by Alfred Kreymborg in Others: An Anthology of the New Verse and two months later in the December issue of ...