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The organ repertoire is considered to be the largest and oldest repertory of all musical instruments. [1] Because of the organ 's (or pipe organ 's) prominence in worship in Western Europe from the Middle Ages on, a significant portion of organ repertoire is sacred in nature .
Andante (Prelude) in D minor for organ, WAB 126/2 (c. 1846) Prelude in E flat major for organ, WAB 127 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss) Four Preludes in E flat major for organ, WAB 128 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss) Prelude (Perger Präludium) in C major for organ, WAB 129 (1884)
Music with orchestra and pipe organ. Includes any compositions with orchestra that has an organ-part as well as organ concertos (Organ concertos are listed in a subcategory). The list should not include continuo parts.
Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
Concertino "In dich hab' ich gehoffet, Herr" for cello and organ; Zsolt Gárdonyi. Variations on a Hungarian Chorale; Lothar Graap "Befiehl du deine Wege", Variations for cello and organ "Hinunter ist der Sonne Schein", Chorale suite for cello and organ; Percy Grainger. The Nightingale; Sofia Gubaidulina. In Croce; René Guillou. Adagio ...
A Directory of Composers for Organ by Dr. John Henderson, Hon. Librarian to the Royal School of Church Music, 2005, 3rd edition. ISBN 0-9528050-2-2; Eleanor Selfridge-Field, Venetian Instrumental Music, from Gabrieli to Vivaldi. New York, Dover Publications, 1994. ISBN 0-486-28151-5; Christopher S. Anderson (Ed.), Twentieth-Century Organ Music.
An organ symphony is a piece for solo pipe organ in various movements.It is a symphonic genre, not so much in musical form (in which it is more similar to the organ sonata or suite), but in imitating orchestral tone color, texture, and symphonic process.
An emblematic organ tablature of the early baroque era is the Linzer Orgeltabulatur, compiled between 1611 and 1613 and containing 108 pieces of mostly non-liturgical character. The feature of organ tablature that distinguishes it from modern musical notation is the absence of staves , noteheads, and key signatures.