Search results
Results from the WOW.Com Content Network
Peter Selgin refers to methods, including action, dialogue, thoughts, summary, scene, and description. While dialogue is the element that brings a story and its characters to life on the page, and narrative gives the story its depth and substance, action creates the movement within a story. Writing a story means weaving all of the elements of ...
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
A 17th-century English Baroque school using extended conceit, often (though not always) about religion [18] [19] John Donne, George Herbert, Andrew Marvell: Cavalier Poets: 17th-century English Baroque royalist poets, writing primarily about courtly love, called Sons of Ben (after Ben Jonson) [20] Richard Lovelace, William Davenant: Euphuism
Action fiction and adventure fiction. The hero's journey is the most popular narrative structure of an adventure novel. [5] Adventure fantasy Heroic fantasy; Lost world; Sword-and-sandal; Sword-and-sorcery; Sword-and-soul; Wuxia; Nautical. Pirate; Robinsonade; Spy: fiction involving espionage and establishment of modern intelligence agencies.
The contrasting three, where only the third has positive value, for example, The Three Little Pigs, two of whose houses are blown down by the Big Bad Wolf. The final or dialectical form of three, where, as with Goldilocks and her bowls of porridge, the first is wrong in one way, the second in an opposite way, and the third is "just right".
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
A classic example of a U-shaped plot in the Bible is the Parable of the Prodigal Son in Luke 15:11–24. The parable opens at the top of the U with a stable condition but turns downward after the son asks the father for his inheritance and sets out for a "distant country" (Luke 15:13).
The instantaneous conversion of Paul on the road to Damascus is a classic example of peripeteia, which Eusebius presented in his Life of Constantine as a pattern for the equally revelatory conversion of Constantine. Modern biographers of Constantine see his conversion less as a momentary phenomenon than as a step in a lifelong process. [2]