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Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
American landscape painter of the Hudson River School. He painted idyllic landscape paintings of an early American wilderness and the scenic vistas of the White Mountains in New Hampshire. He exhibited at the National Academy from 1839 to 1873 and at the American Art-Union in 1847. He was deeply influenced by the dramatic work of Thomas Cole ...
This is a non-diffusing parent category of Category:19th-century African-American painters and Category:19th-century Native American painters and Category:19th-century American women painters The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
William Spencer Bagdatopoulos (1888–1965), painter and commercial artist; Arnold Franz Brasz (1888–1966), painter, sculptor, and printmaker; Mountfort Coolidge (1888–1954), painter and antiquarian; Augustus Dunbier (1888–1977), painter; Gerald Murphy (1888–1967), painter; Bonita Wa Wa Calachaw Nuñez (1888–1972), Native American artist
George Inness (May 1, 1825 – August 3, 1894) was an American landscape painter. Now recognized as one of the most influential American artists of the nineteenth century, Inness was influenced by the Hudson River School at the start of his career. He also studied the Old Masters, and artists of the Barbizon school during
The American Pre-Raphaelites was a movement of landscape painters in the United States during the mid-19th century. It was named for its connection to the Pre-Raphaelite Brotherhood and for the influence of John Ruskin on its members. Painter Thomas Charles Farrer led the movement, and many members were active abolitionists. Their work together ...
Worcester Art Museum's recent acquisition of paintings by Edward Mitchell Bannister and Charles Ethan Porter helps bridge an important gap in history. Filling a gap in history: WAM acquires works ...
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