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Jim Horn arranged the song's horns and played sax together with Bobby Keys, and Jim Price played trumpet. Mick Taylor played the lead guitar part (which features a wah-wah pedal and a Leslie speaker ), Richards played rhythm guitar and bass; Billy Preston played clavinet (also using a wah-wah during the choruses), and RMI Electra Piano .
"Heartbreaker" is a song performed by American singer Dionne Warwick. It was written by Barry , Robin and Maurice Gibb of the Bee Gees for her 1982 studio album of the same name , while production was helmed by Barry Gibb, Albhy Galuten and Karl Richardson under their production moniker Gibb-Galuten-Richardson .
A multiple listing service (MLS, also multiple listing system or multiple listings service) is an organization with a suite of services that real estate brokers use to establish contractual offers of cooperation and compensation (among brokers) and accumulate and disseminate information to enable appraisals.
When real estate agents list a property for sale, they add it to the MLS database, allowing all agents and brokers in the region who have access to the system to review the listing. Buyers ...
Nantucket is the debut release by North Carolina music group, Nantucket. It includes the hit single "Heartbreaker", which helped this album make the Billboard charts and sell around 200,000 copies. [ 1 ]
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"Heartbreaker" is a song by American singer Pat Benatar from her debut studio album In the Heat of the Night (1979). Written and composed by Geoff Gill and Cliff Wade, the song had first been recorded by English singer Jenny Darren on her 1978 album Queen of Fools, and Benatar adjusted the original lyrics, as such references as "A to Zed" and "moonraker" would have likely confused American ...
Real Estate received largely positive reviews from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 79, based on 15 reviews, which indicates "generally favorable reviews". [10] Pitchfork labeled it "Best New Music".