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As an example, Andy Warhol's pop art across multiple mediums challenged traditional distinctions between high and low culture, and blurred the lines between fine art and commercial design. His work, exemplified by the iconic Campbell's Soup Cans series during the 1960s, brought the postmodernist sensibility to mainstream attention.
Creating new conventions of art-making, they made acceptable in serious contemporary art circles the radical inclusion in their works of unlikely materials. Another pioneer of collage was Joseph Cornell , whose more intimately scaled works were seen as radical because of both his personal iconography and his use of found objects .
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. [ 2 ]
A counterculture is a culture whose values and norms of behavior differ substantially from those of mainstream society, sometimes diametrically opposed to mainstream cultural mores. [ 1 ] [ 2 ] A countercultural movement expresses the ethos and aspirations of a specific population during a well-defined era.
Berlin argues that, while there were opponents of the Enlightenment outside of Germany (e.g. Joseph de Maistre) and before the 1770s (e.g. Giambattista Vico), Counter-Enlightenment thought did not take hold until the Germans "rebelled against the dead hand of France in the realms of culture, art and philosophy, and avenged themselves by ...
Antiscience – attitudes that reject science and the scientific method; Conspiracy theory – attributing events to secret plots instead of more probable explanation; Counter-Enlightenment, not to be confused with the more recent Dark Enlightenment – Various intellectual stances against mainstream attitudes of the 18th-century Enlightenment
A related issue is the loss of self and need for self-definition, as workers faded into the background of city life, unnoticed cogs within a machine yearning for self-definition. American modernists echoed the mid-19th-century focus on the attempt to "build a self"—a theme illustrated by Fitzgerald's The Great Gatsby.
The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm.