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The pooja room should preferably be in the northeast corner of the house. Idols can be placed facing east or west and the person praying can face west or east, respectively. The walls of a pooja room often feature wooden paneling carved with a standard design.
Architecture of a Hindu temple (Nagara style). These core elements are evidenced in the oldest surviving 5th–6th century CE temples. Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or ...
Originating in ancient India, Vastu Shastra (Sanskrit: वास्तु शास्त्र, vāstu śāstra – literally "science of architecture" [2]) is a traditional Hindu system of architecture [3] [4] based on ancient texts that describe principles of design, layout, measurements, ground preparation, space arrangement, and spatial geometry. [5]
The ancient texts on Hindu temple design, the Vāstu-puruṣa-mandala and Vastu Śāstras, do not limit themselves to the design of a Hindu temple. [59] They describe the temple as a holistic part of its community, and lay out various principles and a diversity of alternate designs for home, village and city layout along with the temple ...
A traditional puja is performed at the Swami Ayyappan Temple in East London, UK. In the earliest texts describing Vedic puja, the significance of puja was to host the priest so that he could make direct requests to the gods. An example petition prayer made during a Vedic puja, according to Wade Wheelock, [23] is:
Hindu architecture is the traditional system of Indian architecture for structures such as temples, monasteries, statues, homes, market places, gardens and town planning as described in Hindu texts. [1] [2] The architectural guidelines survive in Sanskrit manuscripts and in some cases also in other regional languages.
The Kalasha motif was used in decorating bases and capitals of pillars during 1st century BCE and 1st century CE. [ 3 ] [ 4 ] Before their depiction on stone, terracotta kalash were used as decorative feature placed on roof-tops of buildings and it is now mostly used on temples roofs called Mandir Kalasha .
The mandala is a sandpainting made with powdered limestone. The Mha Puja mandala is drawn in the shape of an eight-petalled lotus inside a circle marked with water. It can be drawn freehand or by using a stencil or mould.
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