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The LiederNet Archive (formerly The Lied, Art Song, and Choral Texts Archive) is a donation-supported web archive of art song and choral texts [1] founded in 1995 [2] by Emily Ezust, an American/Canadian computer programmer and amateur violinist. The website was hosted by the REC Music Foundation from 1996 to 2015.
The Festival was founded in 2002 by the pianist Sholto Kynoch, [1] and in a short space of time grew to be the United Kingdom's largest art song festival. [2] Oxford Lieder is now a registered charity and in addition to the annual festival which takes place in October, [3] there are regular concerts and masterclasses throughout the year, and a growing programme of educational events.
The Choirbook includes a text by Sir Geoffrey Hill, Oxford’s Professor of Poetry set by Sir Harrison Birtwistle and works by four female composers, including Judith Weir and Cecilia McDowall. The 'Evening Canticles' appear both in Latin and in English, as well as a number of anthems suitable for the different seasons of the liturgical calendar.
The text for Canticle I was taken from A Divine Rapture by Quarles, a paraphrase of sections from the Song of Songs from the Old Testament. It arrives several times at the refrain line "I my best beloved’s am – so he is mine". [4] As already the original biblical poetry, it is "full of beautiful, sensuous imagery". [4]
The first project to record every song by Wolf was commenced in 2010, the 150th anniversary of the composer's birth, by Stone Records and the Oxford Lieder Festival. This series of live recordings, featuring a wide variety of singers and Oxford Lieder Festival 's artistic director Sholto Kynoch at the piano, was completed in 2023 with the ...
Oxford Text Archive (OTA) is an archive of electronic texts and other literary and language resources which have been created, collected and distributed for the purpose of research into literary and linguistic topics at the University of Oxford, England.
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Liederkreis, Op. 39, is a song cycle composed by Robert Schumann.Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo.Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis.
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