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The Salon (French: Salon), or rarely Paris Salon (French: Salon de Paris [salɔ̃ də paʁi]), beginning in 1667 [1] was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world.
Jewish art and history, history of the Jews in France since the Middle Ages and in the communities of Europe and North Africa Musée d'Art Moderne de la Ville de Paris: 16th: Art (VP) Modern and Contemporary art of the 20th and 21st centuries Musée d'Art Naïf – Max Fourny: 18th: Art (VP premises) Exhibitions of folk art, naive art, and ...
The salon system thus forced radical and modern artists to seek alternative or unofficial exhibition sites. This is especially true for Impressionists and Fauvism. See also: Salon (gathering) - the expression "salon" is also used to refer to literary gatherings; Academic art; Paris Salon - Main page for the official Salon de Paris
The museum building was built in 1878―1879 for Laurent-Louis Borniche, wood merchant and amateur painter, near the former site of a Celestine monastic community turned arsenal. In 1988, it became a center for documentation and exhibitions related to urban planning and the architecture of Paris.
The first private museum in Paris, the Musée Carnavalet, focusing on the history of the city, opened in 1880. After the 1900 world exhibition, the Petit Palais became an art museum, displaying many works owned by the city of Paris. The early decades of the 20th century were also the time when Paris bought and was awarded many valuable art ...
The Database of Salon Artists is a resource listing every submission to the Paris Salon between 1827 and 1850, using information derived from the original Salon registers now held in the Archives des Musées Nationaux, part of the Service des Bibliothèques, des Archives et de la Documentation Générale des Musées de France.
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The First Impressionist Exhibition was an art exhibition held by the Société anonyme des artistes peintres, sculpteurs, graveurs, etc., [a] a group of nineteenth-century artists who had been rejected by the official Paris Salon and pursued their own venue to exhibit their artworks.