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Hans Canosa's 2005 film Conversations with Other Women made extensive use of split screens. Conversations juxtaposed shot and reverse shot of two actors in the same take, captured with two cameras, for the entire movie. The film was designed to enlist the audience as perceptual editors, as they can choose to watch either character act and react ...
If the camera moves closer, the shot becomes a medium two shot again, and so on. Similarly, a three shot has three people featured prominently in the composition of the frame. In contrast, the term "one shot" has another meaning: it is used to describe a whole film, sequence or scene captured in one continuous take , usually footage without ...
Actors who play a character with multiple names and/or a secret identity (e.g. superheroes); Actors who play multiple copies of a single character (e.g. Vittorio Gassman and Don Adams [as St. Sauvage and Maxwell Smart, respectively] in The Nude Bomb , Hugo Weaving as Agent Smith in The Matrix series, and Tom Cruise in Oblivion );
Actors playing a younger/older version of a character in a brief flash-back/flash-forward (However, actors who play the same character at different ages for an extended portion of the movie may be included). Large puppets or animatronic characters controlled by multiple performers
A body double or photography double is used in certain specific shots to replace the credited actor of a character. [1] The body double's face is obscured to maintain the illusion that they are the same character; usually by shooting their body at an angle that leaves their face out (such as by showing the body double from the back) or in post-production by superimposing the original actor's ...
A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.
HBO Studios' Alicia Rodis, a pioneer of the intimacy-coordinator role that helps orchestrate sex scenes on sets, told Business Insider there's a lot of open dialogue about the intimate content ...
Joanne Leonard (born 1940), photography of Oakland, Ca, autobiographical and family, and collage beinginpictures.com; Zoe Leonard (born 1961), photography of New York City, photos of the fictional Fae Richards for the film The Watermelon Woman; Rebecca Lepkoff (1916–2014), street scenes on the Lower East Side of Manhattan in the 1940s