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The Sonatina in G major for violin and piano (Czech: Sonatina G dur pro housle a klavír), Op. 100, B. 183, was written by Antonín Dvořák between November 19 and December 3, 1893, in New York City. It was the last chamber composition he wrote during his sojourn in the United States.
Sonata F dur pro housle a klavír: Sonata in F major: violin and piano: 107: 32/7,10, 13,2,3: 1880: Moravské dvojzpěvy: Moravian Duets: female chorus: arrangement of B. 62 and 60 nos. 7, 10, 13, 2 and 3 108: 53: 1880: Koncert pro housle a orchestr a moll: Violin Concerto in A minor: violin and orchestra: final version of B. 96; revised 1882 ...
The Sonata for Violin and Piano in F major, Op. 57 (B. 106), is a violin sonata by Antonín Dvořák.The work was composed between 3 and 17 March 1880. [1] At the time, Dvořák was also working on his violin concerto, and it seems that the composer explored different aspects of the violin in the two pieces.
Serenade for flute, violin, viola and triangle, B. 15bis (1867) Serenade in D minor for Wind Instruments, B. 77 (1878) Bagatelles for two violins, cello and harmonium or piano, B. 79 (1878) String Sextet in A major, B. 80 (1878) Terzetto in C for two violins and viola, B. 148 (1887) Drobnosti for two violins and viola, B. 149 (1887)
Back in New York that autumn, he composed his Sonatina for violin and piano. He also conducted a performance of his Eighth Symphony at the Columbian Exposition in Chicago that same year. In the winter of 1894–95, Dvořák wrote his Cello Concerto in B minor, Op. 104, B. 191, completed in February 1895. [84]
He used some of these ideas in other compositions, notably the "New World" Symphony, the "American" String Quartet, the Quintet in E ♭ major, and the Sonatina for Violin, but some remained unused. In 1894, Dvořák spent the summer with his family in Vysoká u Příbrami in Bohemia. During this "vacation", Dvořák began to use the collected ...
Dvořák was encouraged to write a violin concerto by his publisher Simrock, after compositions such as Slavonic Dances and his Symphony No. 6 had been successful. [1] The composer sought advice from the violinist Joseph Joachim, the director of the Musikhochschule Berlin, who had played his chamber music in concerts, including the world premiere of his String Sextet in A major.
Violin Sonata in A minor, Op. 7 (published 1887) (Not mentioned in the list of works linked to in the article but recorded on Troubadisc [20] and noted in published articles- Dale's in Oct. 1949 Music & Letters.) Louis Spohr. Sonata for Violin and Harp in B-flat major, Op. 16; Sonata for Violin and Harp in E-flat major, Op. 113