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The earliest mention of the word chungong is found in the Chu Ci, but the word only began to mean erotic paintings from the Song dynasty. [7] [3]The first known record of the tradition of erotic art, however, dates back to 2nd century B.C. Chen ping of the Han Dynasty, and Guangchuanwang were said to have enjoyed drawing erotic art.
Before the creation of the book, Chinese art-related works mainly focused on appreciation and cataloging, such as Gu Kaizhi's (顾恺之) On Painting and Xie He's (谢赫) Classified Record of Ancient Paintings. Zhang Yanyuan thus pioneered Chinese art history by being the first to document painters in a chronological format.
Chinese Painting. Geneva: Albert Skira, 1960. Fong, Wen (1973). Sung and Yuan paintings. New York: The Metropolitan Museum of Art. ISBN 978-0870990847. Fully online from the MMA; Liu, Shi-yee (2007). Straddling East and West: Lin Yutang, a modern literatus: the Lin Yutang family collection of Chinese painting and calligraphy. New York: The ...
The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers ...
In ancient China, painting and calligraphy were the most highly appreciated arts in court circles and were produced almost exclusively by amateurs, aristocrats and scholar-officials who alone had the leisure to perfect the technique and sensibility necessary for great brushwork. Calligraphy was thought to be the highest and purest form of painting.
Ching Tsai Loo, commonly known as C. T. Loo (Chinese: 盧芹齋; pinyin: Lú Qínzhāi; 1 February 1880 – August 15, 1957), was a controversial art dealer of Chinese origin who maintained galleries in Paris and New York and supplied important pieces for collectors and American museums by illegally exporting a large amount of significant state cultural relics from China.
Countries along the Silk Road enriched the Tang dynasty with arts and ideas that could be incorporated into ceramic paintings. On the one hand, it imbibed Persian and Central Asian artistic elements, and on the other, it used those elements in its ceramic paintings to spread Chinese arts and painting styles to different parts of the world. [14]
In 1924, he became a professor at Shanghai Academy of Fine Arts, started writing the book "The History of Chinese Painting". He was actively engaged in a variety of exhibitions, studying preserved ancient paintings and meeting with noted painters. He specialized in liberal-style flowers and birds painting, and also excelled in landscape painting.
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