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A revisionist parody of the 1992 film Aladdin, the musical tells the film's story from the point of view of the film's villain, Jafar (spelled "Ja'far" in all official materials), in a nod to the musical Wicked, which told the familiar story of The Wonderful Wizard of Oz from the point of view of The Wicked Witch of the West.
Carroll's original rendition of "Poor Unfortunate Souls" was included on a 1996 compilation CD of songs performed by or about various Disney villains called Rascal Songs. The CD was released as part of a three-disc Disney song series as a McDonald's promotional item.
Ranking 50 of the best Disney songs to find the greatest one of all time. ... Most villain songs are about how evil or powerful said villain is, but “Gaston” distinguishes itself by being ...
"Hellfire" is a song from Disney's 1996 animated feature The Hunchback of Notre Dame. The song is sung by the film's main antagonist, Judge Claude Frollo, who is voiced by Tony Jay. When lustful thoughts regarding the beautiful Romani woman Esmeralda enter Frollo's mind, he "panics and seeks to rid himself of [its] source".
Here are the 50 best Disney songs from classics like 'Frozen,' 'Hercules,' 'Encanto,' and 'Moana.' ... Ursula's villain song is iconic for a reason—not only is packed with deliciously clever and ...
"Friends on the Other Side" is a song from the 2009 animated film The Princess and the Frog. It was written by Randy Newman and is sung by Keith David, the voice of the film's villain, Doctor Facilier. It depicts Facilier beginning his plan to take over New Orleans by first deceiving Prince Naveen while at the same time getting his valet ...
"Mother Knows Best" is a song written by composer Alan Menken and lyricist Glenn Slater for Disney's animated film Tangled (2010). Included on the film's soundtrack album, it was recorded by American actress and singer Donna Murphy as Mother Gothel, the film's main villain, and details the character's efforts to frighten Rapunzel into remaining within the confines of their secluded tower so ...
Featuring it as an example of why Scar was one of the "15 most terrifying musical theater villains", Backstage's KC Wright described it as a "snarling signature song". [15] Megan Green of Australian Stage wrote that "The Madness of King Scar" was an example of one of the "new, and equally memorable, songs" created for the musicals. [3]