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Zhengyi Dao (Chinese: 正一道; pinyin: Zheng Yi Dào), also known as the Way of Orthodox Unity, Teaching of the Orthodox Unity, and Branch of the Orthodox Unity is a Chinese Taoist movement that traditionally refers to the same Taoist lineage as the Way of the Five Pecks of Rice and Way of the Celestial Masters, but in the period of the Tang dynasty and its history thereafter.
In 2004, John Maddex founded Ancient Faith Radio after a career as the division manager of Moody Institute's 35 radio stations and radio work for Focus on the Family.In 2008, under the leadership of Maddex, AFR combined with Conciliar Press (formed in 1977 as part of what became the Evangelical Orthodox Church) to form Conciliar Media Ministries, which, in 2013, was renamed Ancient Faith ...
Only-Begotten Son (Ancient Greek: Ὁ Μονογενὴς Υἱὸς, Russian: Единородный Сыне, Ukrainian: Єдинородний Сине, Old Armenian: Միածին Վորդի), sometimes called "Justinian's Hymn", the "Anthem of Orthodoxy" and/or the "Hymn of the Incarnation", is an ancient Christian hymn that was composed prior to the middle of the 6th century.
Tchaikovsky's setting of the Divine Liturgy, along with his All-Night Vigil and his nine sacred songs, were of seminal importance in the later interest in Orthodox music. [8] [22] [23] Other composers, encouraged by the freedom created by the new lack of restriction on sacred music, soon followed Tchaikovsky's example. [9]
An early influence on Orthodox pop was the 1971 album Or Chodosh, the debut of an eponymous group created by Sh'or Yoshuv roommates Rabbi Shmuel Brazil, who would later create the group Regesh, and Yossi Toiv, later known as Country Yossi; the group performed at Brooklyn College with David Werdyger's son, the young Mordechai Ben David, opening for them.
Saint Yared (Ge'ez: ቅዱስ ያሬድ; 25 April 505 – 20 May 571) [2] [3] [4] was an Aksumite composer in the 6th century. Often credited with being the forerunner of traditional music of Ethiopia, he developed the music of the Ethiopian Orthodox Church and Eritrean Orthodox Church.
It is one of the most famous and most popular compositions of the Divine Liturgy in Serbian art and is officially recognized as part of the service in the Serbian Orthodox Church. Mokranjac intended to compose a liturgy based on motives of all eight modes of Serbian chant, but he wrote only the Liturgy after the first mode.
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