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Thomas Ferguson (born 1949) is an American political scientist and author who writes on politics and economics, often within a historical perspective. He is best known for his Investment Theory of Party Competition, described in detail in his 1995 book Golden Rule: The Investment Theory of Party Competition and the Logic of Money-driven Political Systems.
Backstage at Constitution Hall rehearsal, 1959. Andrés Archila (December 24, 1913 – March 2, 2002) [1] was a Guatemalan international violinist and orchestra conductor. He was the principal founder and conductor of the Guatemalan National Symphony Orchestra from 1944 to 1964, founder of the Quarteto Guatemala, Associate Concertmaster of Washington, D.C.'s National Symphony Orchestra from ...
An orchestra pit is an area in a theatre (usually located in a lowered area in front of the stage) in which musicians perform. The orchestra plays mostly out of sight in the pit, rather than on the stage as for a concert, when providing music for forms of theatre that require it (such as opera and ballet) or when incidental music is required
Originating in the 18th century, it is the precursor to the modern discipline of economics. [5] [6] Political economy in its modern form is considered an interdisciplinary field, drawing on theory from both political science and modern economics. [4]
Propaganda of the deed thus included stealing (in particular bank robberies – named "expropriations" or "revolutionary expropriations" to finance political activity), rioting and general strikes which aimed at creating the conditions of an insurrection or even a revolution. These acts were justified as the necessary counterpart to state ...
New Music Economy is a term describing the emergent social, technical, political and economic context of the creative industries.This shift in context has been fueled by concurrent evolution within an ecosystem of interdependent technologies, institutions, and individuals; the result of which impacts the nature of creative property, identity, production, distribution and imagination.
Like the Second Symphony, the Third was written at a time when the freedom and modernism of the New Economic Policy (NEP) was giving way to the dominance of the Russian Association of Proletarian Musicians. The Third more obviously reflects the latter's demands for clear, simple expression of musical and political ideas, in its largely diatonic ...
A common critique of critical political economy (often from the cultural studies approach) is that, like Marx, it fetishizes capitalism and is deterministic technologically and/or economically. [1] Christian Fuchs and Vincent Mosco in their book Marx and the Political Economy of the Media compile the effects of media communication in a ...