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Harker in A flat . Harris in A . Harwood in A flat . Harwood in E minor . Hawes in D . Hemingway in E . Hemingway The King's Service . Howells in B minor . Howells in E major (Men's voices) ...
The Book of Common Prayer allows for an alternative to the Magnificat—the Cantate Domino, Psalm 98—and some Anglican rubrics allow for a wider selection of canticles, but the Magnificat and Nunc dimittis remain the most popular. In Anglican, Lutheran, and Catholic services, the Magnificat is generally followed by the Gloria Patri.
Most of the music of this early phase is polyphonic but non-imitative, with contrast achieved by alternation of full five-voice texture with sections sung by fewer voices. The second phase, which includes music by John Browne , Richard Davy and Walter Lambe , uses imitation, cantus firmus techniques, and frequent cross-relations (a feature ...
The setting of the evening canticles, part of the Anglican daily service of Evening Prayer, consists of the Magnificat (Song of Mary) and Nunc dimittis (Song of Simeon). Mary sings the Magnificat ("My soul doth magnify the Lord") on the occasion of her visit to Elizabeth, as narrated in the Gospel of Luke (Luke 1:39–56).
Magnificats, one included in Magnificat cum 4 vocibus, Book 1 (Venice, 1542) Jacquet of Mantua: 1483 1559 Magnificats, e.g. two in Magnificat cum 4 vocibus, Book 1 (Venice, 1542) Loyset Piéton? fl. c. 1530 Magnificat included in Magnificat cum 4 vocibus, Book 1 (Venice, 1542) Ludwig Senfl: c. 1490 1543 Magnificats (Tonus I-VIII) John Taverner ...
The service has been recorded several times, [5] including a 1988 collection The Music of St. Paul's Cathedral, performed by the cathedral choir conducted by John Scott with organist Christopher Dearnley, [6] and a 1997 overview of ten settings of Magnificat and Nunc dimittis by English composers, performed by the Choir of York Minster conducted by Philip Moore and with organist John Scott ...
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology. The following table shows the title, voices, tempo marking, time , key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.
Timothy Dudley-Smith wrote the hymn in May 1961 when he and his wife had just moved into their first house in Blackheath.He was inspired to write the text when he was reading a modern paraphrase of the Magnificat in Luke 1:46–55 in the New English Bible, a translation which begins with the phrase, "Tell out, my soul, the greatness of the Lord".
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