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Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901), known as Toulouse-Lautrec (French: [tuluz lotʁɛk]), was a French painter, printmaker, draughtsman, caricaturist, and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of ...
The Musée Toulouse-Lautrec is an art museum in Albi, southern France, dedicated mainly to the work of the painter Henri de Toulouse-Lautrec who was born in Albi. The 13th-century building was originally the Bishop's Palace of Albi Cathedral, next to it. It is part of the UNESCO World Heritage Site that includes the cathedral. [1]
A small collective of innovative artists—Paul Cézanne, Paul Gauguin, Henri de Toulouse-Lautrec, Camille Pissarro along with Albert Dubois-Pillet, Odilon Redon, Georges Seurat, Paul Signac—created the Salon des Indépendants. The right to present their works to the public with no restrictions was their only condition.
Elles (Them) is a 1896 series of color lithographs created by French artist Henri de Toulouse-Lautrec. They are part of his series of works based on scenes from French brothels he was known to visit from 1892 to 1895. [1] Elles was first published by Gustave Pellet and exhibited in Paris at the 20th Salon des Cent on April 22, 1896. The show ...
[1] [3] The original exhibition featured windows designed by Nabi artists, including Henri de Toulouse-Lautrec, and made by Louis Comfort Tiffany. [3] The original interior of the gallery included rooms designed by artists Maurice Denis, Charles Conder, Henry Van de Velde, Albert Besnard, and Edouard Vuillard.
The fifth exhibition, at 31 rue Bonaparte from 5–30 October 1894, exhibited almost the same works. [4] Georges de Feure was to exhibit at the Salon for several years. Léon Deschamps and La Plume played a major role in the artistic development of his posters. [17] Toulouse-Lautrec exhibited several times at the Salon des Cent between 1895 and ...
Toulouse-Lautrec was often criticized for the way he presented his art models. Biographer June Rose accused Lautrec of portraying Valadon as a "slattern" in his work, which contributed to the "tone of disparagement of Valadon the slut" for a century, often obscuring her later achievements as a woman artist. [33]
The Musée des Augustins de Toulouse (French pronunciation: [myze dez‿oɡystɛ̃ də tuluz]) is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century.
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