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An early cloudscape photographer, Belgian photographer Léonard Misonne (1870–1943), was noted for his black and white photographs of heavy skies and dark clouds. [ 1 ] In the early to middle 20th century, American photographer Alfred Stieglitz (1864–1946) created a series of photographs of clouds, called "equivalents" (1925–1931).
A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
Sky with Flat White Cloud, also known as Sky above White Clouds I, [29] is an abstract, 1962 painting that was inspired by O'Keeffe's trip to Egypt in the spring of that year. The canvas is horizontal, showing blue and green stripes of color (the sky) at the top, while two-thirds of the portion below (the clouds) is white.
Charles Green Shaw (May 1, 1892 – April 2, 1974) was an American painter, poet, writer, and illustrator. [1] [2] He was a key figure in early American abstract art.[3] [4] Shaw's paintings are part of most major collections of American Art, including the Art Institute of Chicago, Corcoran Gallery, the Metropolitan Museum of Art, the Musee d'Art Moderne de Paris, Museum of Fine Arts Boston ...
Michael Light, Salt Tracks Looking Northwest, Pleistocene Lake Bonneville, Wendover, Utah, 2017. Michael Light (born 1963) is a San Francisco-based photographer and book maker whose work focuses on landscape, the environment, and American culture's relationship to both.
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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
The expense of color film as compared to black-and-white and the difficulty of using it with indoor lighting combined to delay its widespread adoption by amateurs. In 1950, black-and-white snapshots were still the norm. By 1960, color was much more common but still tended to be reserved for travel photos and special occasions.
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