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These speakers introduced the concept of a small box/long excursion woofer designs for car audio. The CS-1 series was also introduced, JL Audio's first component speaker introduction. In 1993, the W6-series subwoofer drivers are introduced in 8, 10, 12 and 15-inch sizes. This product was considered unique for its dual 6-ohm voice coil system ...
Loudspeaker enclosures range in size from small "bookshelf" speaker cabinets with 4-inch (10 cm) woofers and small tweeters designed for listening to music with a hi-fi system in a private home to huge, heavy subwoofer enclosures with multiple 18-inch (46 cm) or even 21-inch (53 cm) speakers in huge enclosures which are designed for use in ...
7-inch reel of 1 ⁄ 4-inch-wide (6.4 mm) recording tape, typical of non-professional use in the 1950s–70s. Studios generally used 10 1 ⁄ 2 inch reels on PET film backings. Inexpensive reel-to-reel tape recorders were widely used for voice recording in the home and in schools, along with dedicated models expressly made for business dictation.
From about 1900 to the 1950s, the "lowest frequency in practical use" in recordings, broadcasting and music playback was 100 Hz. [9] When sound was developed for motion pictures, the basic RCA sound system was a single 8-inch (20 cm) speaker mounted in straight horn, an approach which was deemed unsatisfactory by Hollywood decisionmakers, who hired Western Electric engineers to develop a ...
Stage boxes are sometimes also used to connect speakers to a mixer – either foldbacks or front-of-house speakers. Some sound engineers connect wireless microphone receivers to the stage box and position them in the same rack next to the stage. [10] In recording studios, stage boxes are used to connect the control room and the live room. They ...
Boom operator on set. A boom operator (or First Assistant Sound) is a core role in the sound department of a film production, who works with the production sound mixer and utility sound technician.
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