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  2. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Before loudness normalization, one song in a playlist might be quieter than the rest, so the listener would have to turn a volume knob up to adjust the playback volume. [ 4 ] Depending on the dynamic range of the content and the target level, loudness normalization can result in peaks that exceed the recording medium's limits, causing clipping.

  3. MP3 Surround - Wikipedia

    en.wikipedia.org/wiki/MP3_Surround

    MP3 Surround is backward compatible with standard MP3. [1] [4] The data overhead is 16 kbit/s, which allows for file sizes similar to standard stereo MP3 files. The file size is approximately 10% larger than that of a typical MP3 file. The current evaluation encoder is licensed for personal and non-commercial uses. An MP3 Surround file can be ...

  4. ReplayGain - Wikipedia

    en.wikipedia.org/wiki/ReplayGain

    The target loudness is specified as the loudness of a stereo pink noise signal played back at 89 dB sound pressure level or −14 dB relative to full scale. [3] This is based on SMPTE recommendation RP 200:2002, which specifies a similar method for calibrating playback levels in movie theaters using a reference level 6 dB lower (83 dB SPL, − ...

  5. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    24-bit and 32-bit audio does not require dithering, as the noise level of the digital converter is always louder than the required level of any dither that might be applied. 24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even ...

  6. Sound exposure - Wikipedia

    en.wikipedia.org/wiki/Sound_exposure

    Sound exposure level (SEL) is a logarithmic measure of the sound exposure of a sound relative to a reference value. Sound exposure level, denoted L E and measured in dB , is defined by [ 1 ]

  7. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    The louder sounds above the threshold remain unaffected. Some compressors also have the ability to do the opposite of compression, namely expansion. Expansion increases the dynamic range of the audio signal. [3] Like compression, expansion comes in two types, downward and upward. Downward expansion makes the quiet sounds below the threshold ...

  8. Sending loudness rating - Wikipedia

    en.wikipedia.org/wiki/Sending_loudness_rating

    The sending loudness rating (SLR) is a measure of the loudness of the transmit audio sent through the microphone of a communication device (for example, a mobile phone) It compares the Sound intensity of the sound waves into the microphone to the resulting audio signal. It is measured in dBV/Pa.

  9. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    Each additional bit adds approximately 6 dB in possible SNR (e.g. 24 x 6 = 144 dB for 24-bit and 120 dB for 20-bit quantization). The 16-bit digital system of Red Book audio CD has 2 16 = 65,536 possible signal amplitudes, theoretically allowing for an SNR of 98 dB .