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Most music for the tuba is written in bass clef in concert pitch, so tuba players must know the correct fingerings for their specific instruments. Traditional British-style brass band parts for the tuba are usually written in treble clef, with the B ♭ tuba sounding two octaves and one step below and the E ♭ tuba sounding one octave and a ...
This is a list of musical instruments, including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones, membranophones, struck chordophones, blown percussion instruments)
Techniques developed by luthiers in Cremona for making stringed instruments hold unique importance in the world of music. Cremonese luthiers standardized the violin family of instruments, and Cremonese violinmaking techniques are still considered by many to be the best in the world.
The Baroque period is often thought of as organ building's "golden age," as virtually every important refinement to the instrument was brought to a peak. Builders such as Arp Schnitger, Jasper Johannsen, Zacharias Hildebrandt and Gottfried Silbermann constructed instruments that displayed both exquisite craftsmanship and beautiful sound. These ...
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Although most of the instruments built before the 1730s were small (four octaves, four feet long), the latest instruments were built up to seven feet long with a six octave range. [ 1 ] It was a preferred instrument in the 18th century due to its unique expressive features, size, elegance, and affordability.
Performance Today was created by National Public Radio (NPR), and went on the air in 1987. The program was founded by NPR vice president for cultural programming Dean Boal, who gave Performance Today its name, and who, along with NPR colleagues Doug Bennet, Jane Couch, Ellen Boal, and retired Baldwin Piano Company president Lucien Wulsin, secured the series' initial funding.
The snare drum is one of the most easily recognizable instruments in the entire percussion section. Also called the side drum, the snare drum is often used as a means of accenting rhythms from other families of instruments within the orchestra or as a soloistic type, particularly in pieces that may have a "military" type theme or sound to them.