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  2. Cento (poetry) - Wikipedia

    en.wikipedia.org/wiki/Cento_(poetry)

    The following is a sample from the cento Sacra Aeneis (1618), by Etienne de Pleure, on the adoration of the Magi.The lines of Vergil used, from his Aeneid and Georgics, are indicated on the left (e.g. 6.255 points to book 6, line 255); or, if changed in the middle of a line, an asterisk separates the new quotation with its source indicated on the right.

  3. Category:5th-century poems - Wikipedia

    en.wikipedia.org/wiki/Category:5th-century_poems

    Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file

  4. Iambic pentameter - Wikipedia

    en.wikipedia.org/wiki/Iambic_pentameter

    The English word "trapeze" is an example of an iambic pair of syllables, since the word is made up of two syllables ("tra-peze") and is pronounced with the stress on the second syllable ("tra-PEZE", rather than "TRA-peze"). A line of iambic pentameter is made up of five such pairs of short/long, or unstressed/stressed, syllables.

  5. Reading - Wikipedia

    en.wikipedia.org/wiki/Reading

    Reading is the process of taking in the sense or meaning of symbols, often specifically those of a written language, by means of sight or touch. [1] [2] [3] [4]For educators and researchers, reading is a multifaceted process involving such areas as word recognition, orthography (spelling), alphabetics, phonics, phonemic awareness, vocabulary, comprehension, fluency, and motivation.

  6. Poetry analysis - Wikipedia

    en.wikipedia.org/wiki/Poetry_analysis

    Analyzing diction and connotation—the meanings of words as well as the feelings and associations they carry—is a good place to start for any poem. [20] The use of specific words in the poem serve to create a tone—an attitude taken towards the subject. For example, consider the words "slither" and "sneak."

  7. Where the Sidewalk Ends - Wikipedia

    en.wikipedia.org/wiki/Where_the_Sidewalk_Ends

    “Where the Sidewalk Ends”, the title poem and also Silverstein’s best known poem, encapsulates the core message of the collection. The reader is told that there is a hidden, mystical place "where the sidewalk ends", between the sidewalk and the street. The poem is divided into three stanzas. Although straying from a consistent metrical ...

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