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In modern Spanish the title might be rendered El Poema de mi Señor or El Poema de mi Jefe. The expression cantar (literally "to sing") was used to mean a chant or a song. The word Cid (Çid in old Spanish orthography), was a derivation of the dialectal Arabic word سيد sîdi or sayyid, which means lord or master.
Gracias" in 2003, both studio albums and "Concierto en Vivo Desde Monterrey" in 2003, a live album. Later, he would release several productions, the first would be a live album entitled "Fermín IV En Vivo" in 2004, astudio album called "Los que Trastornan al mundo" in 2005 and a various artist album titled "Hip Hop por la vida" and a ...
Anne Hurley from Entertainment Weekly described the song as a "delightful abandon" in her review of Mi Tierra. [1] AllMusic editor Jose F. Promis noted it as a "happy upbeat" song. [ 2 ] John Lannert of the Sun Sentinel also called ¡Sí Señor! a "steamy dancefloor entr(y)".
To promote the album, Rivera launched a tour throughout Mexico and the United States. [17] [18] [19] The tour proved to be a success.La Gran Señora and La Gran Señora en Vivo both garnered Latin Grammy nominations in the Regional Mexican category and went platinum in Mexico and the United States. [17]
"Gracias a Dios" (English: "Thanks God") is a song written by Mexican singer-songwriter Juan Gabriel and recorded by Thalía. It was released as the fifth [1] single from Thalía's fourth studio album En éxtasis (1995). The song was one of her most popular singles at the time and a big radio hit, peaking number one in many Latin countries.
Vázquez Sounds, also known as V-Sounds, [1] is a Mexican musical trio formed by siblings Abelardo "Abe", Gustavo "Gus" and Angela "Angie" Vázquez originating from the city of Mexicali, Baja California, in Mexico.
Folio from the Cancionero de Palacio containing the song Desidme, pues sospirastes, by Juan del Encina. The Cancionero de Palacio (Madrid, Biblioteca Real, MS II–1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music.
Adiós muchachos is a 1927 tango composed by Argentinian pianist Julio César Sanders and Argentinian poet César Vedani.According to Francisco Garcia Jimenez, Sanders was inspired when after a night out with a group of friends in 1927 in the Buenos Aires district of Flores, one of them said goodbye with the words "Adiós, muchachos".