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"Little Lies" is a song by British-American rock band Fleetwood Mac from their 14th studio album, Tango in the Night (1987). It was written by band member Christine McVie and her then-husband, Eddy Quintela, with lead vocals performed primarily by McVie; the chorus features backing vocals by Lindsey Buckingham and Stevie Nicks.
Tango in the Night is the fourteenth studio album by British-American rock band Fleetwood Mac, released on 13 April 1987 by Warner Records.As a result of Lindsey Buckingham's departure later that year, it is the fifth and final studio album with the band's most successful lineup of Buckingham, Mick Fleetwood, Christine McVie, John McVie, and Stevie Nicks, [1] though Christine McVie would make ...
The pair wanted McVie on bass guitar and named the band "Fleetwood Mac" to entice him, but McVie opted to keep his steady income with Mayall rather than take a risk with a new band. In the meantime, Green and Fleetwood teamed up with slide guitarist Jeremy Spencer and bassist Bob Brunning .
The 1974–1987 lineup of Fleetwood Mac reunited for a performance at Bill Clinton's inauguration on 20 January 1993. [18] Nicks and Burnette left the band shortly thereafter, with Bekka Bramlett and Dave Mason , respectively, replacing the departed members later in the year.
Christine McVie's piano playing was stripped down to block chords and John McVie's bass guitar was brought down in volume. Fleetwood recorded individual parts on a kick drum and snare drum and overdubbed some hand percussion. Cymbals and tom-toms were also recorded, although Buckingham instructed Fleetwood to scrap these parts.
Rumours is the eleventh studio album by the British-American rock band Fleetwood Mac, released on 4 February 1977, by Warner Bros. Records.Largely recorded in California in 1976, it was produced by the band with Ken Caillat and Richard Dashut.
Peter Allen Greenbaum (29 October 1946 – 25 July 2020), [1] [2] known professionally as Peter Green, was an English blues rock singer-songwriter and guitarist. [3] Green founded Fleetwood Mac in 1967 after a stint in John Mayall's Bluesbreakers and quickly established the new band as a popular live act in addition to a successful recording act, before departing in 1970.
[16] New York Times critic John Rockwell called the single a "classy record" and commented on the appeal provided by Nicks' "strange, nasal yet husky soprano" and Mick Fleetwood's "wonderfully crisp, exact drumming." [17] The Guardian and Paste ranked the song number one and number four, respectively, on their lists of the 30 greatest Fleetwood ...