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The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
Cities within Florence's zone of influence, such as Genoa, Milan, and Turin, mainly produced examples later, from the sixteenth century on. [11] Brunelleschi's domes at San Lorenzo and the Pazzi Chapel established them as a key element of Renaissance architecture. [12]
This is a list of notable people associated with the Renaissance. Artists and architects. Filippo Brunelleschi Albrecht Dürer Michelangelo Sandro Botticelli Titian ...
The most common argument for crediting Brunelleschi is the chapel's clear similarity to the Old Sacristy; others argue that his style had developed in the twenty-year interim and that the Pazzi Chapel would represent a retrograde step. [4] The first written mention of Brunelleschi as the architect was written by an anonymous author in the 1490s ...
The person generally credited with bringing about the Renaissance view of architecture is Filippo Brunelleschi, (1377–1446). [16] The underlying feature of the work of Brunelleschi was "order". Ospedale degli Innocenti in Florence.
Florence is known as the "Cradle of the Renaissance" (la culla del Rinascimento) for its monuments, churches, and buildings. The best-known site of Florence is the domed cathedral of the city, Santa Maria del Fiore, known as The Duomo, whose dome was built by Filippo Brunelleschi.
The two works that testify to his presence in this city, the Tomb of Giovanni Crivelli at Santa Maria in Aracoeli, and the ciborium at St. Peter's Basilica, bear a strong stamp of classical influence. Brunelleschi also returned several times to find inspiration for what was the Renaissance art. [7]
Since Renaissance art is an attempt of reviving Ancient Rome's culture, it uses pretty much the same ornaments as the Ancient Greek and Roman. However, because most if not all resources that Renaissance artists had were Roman, Renaissance architecture and applied arts widely use certain motifs and ornaments that are specific to Ancient Rome.