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The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
Cities within Florence's zone of influence, such as Genoa, Milan, and Turin, mainly produced examples later, from the sixteenth century on. [11] Brunelleschi's domes at San Lorenzo and the Pazzi Chapel established them as a key element of Renaissance architecture. [12]
The Renaissance period started during the ... and spreading to the rest of Europe by the 16th century, its influence was ... Filippo Brunelleschi was foremost in ...
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture.
Filippo Brunelleschi was a leading figure of the early Florentine Renaissance. Initially active as a sculptor, he turned to architecture in the first decade of the 15th century, taking advantage of his travels to Rome to refine his observations on the architecture of ancient monuments, in order to establish practical rules for construction.
The most common argument for crediting Brunelleschi is the chapel's clear similarity to the Old Sacristy; others argue that his style had developed in the twenty-year interim and that the Pazzi Chapel would represent a retrograde step. [4] The first written mention of Brunelleschi as the architect was written by an anonymous author in the 1490s ...
Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. [5] It is considered by many academics [6] to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. [7]
His second, bronze, David is deservedly one of the most famous sculptures of the period, and the first free-standing nude statue of the Renaissance. [149] David , the biblical giant-killer, was a symbol of Florence, and a bronze by Verrocchio was another Medici commission in the 1470s, followed by Michelangelo's famous marble statue early in ...