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Canto Ostinato ("Obstinate Song" (as ostinato)) is a musical composition written by the Dutch composer Simeon ten Holt. The piece was completed in 1976 and performed for the first time in 1979 and is by far his most popular and most performed work.
In gospel and soul music, the band often vamps on a simple ostinato groove at the end of a song, usually over a single chord. In soul music, the end of recorded songs often contains a display of vocal effects—such as rapid scales, arpeggios, and improvised passages. For recordings, sound engineers gradually fade out the vamp section at the ...
Bel canto vocal music also frequently uses ossia, also called oppure, passages to illustrate a more embellished version of the vocal line. [ 1 ] On the other hand, an ossia marking does not always indicate a change in difficulty; the piano solo music of Franz Liszt is typically full of alternative passages, often no easier or more difficult ...
In a singing style. In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.)
Here it is usually a faster, brasher, semi-improvised instrumental section, sometimes with a repetitive vocal refrain. Finally, the term montuno is also used for a piano guajeo, [1] the ostinato figure accompanying the montuno section, when it describes a repeated syncopated piano vamp, often with chromatic root movement. [2]
The main part of the piece, marked "Finale", begins with a march-like motive (Allegro) played by the cellos and basses, alternating with recitative-like interjections from the piano. The music eventually brightens into C major and the solo piano introduces the principal theme (meno allegro) discussed above. Variations on the theme are then ...
A guajeo (Anglicized pronunciation: wa-hey-yo) is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term guajeo for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones.
"Your Obedient Servant" is the twentieth song from Act 2 of the musical Hamilton, based on the life of Alexander Hamilton, which premiered on Broadway in 2015. Lin-Manuel Miranda wrote both the music and lyrics to the song. The song is sung by the characters of Hamilton and Aaron Burr, originally performed by Miranda and Leslie Odom Jr ...