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The Symphony No. 25 in G minor, K. 183/173dB, was written by the then 17-year-old Wolfgang Amadeus Mozart in October 1773, [1] shortly after the success of his opera seria Lucio Silla. It was supposedly completed in Salzburg on October 5, a mere two days after the completion of his Symphony No. 24 , although this remains unsubstantiated.
G minor: 23:33 1773 Salzburg Symphony No. 25: Score and critical report (in German) in the Neue Mozart-Ausgabe; 201 186a Symphony No. 29: A major: 26:18 1774 Salzburg Symphony No. 29: Score and critical report (in German) in the Neue Mozart-Ausgabe; 202 186b Symphony No. 30: D major: 17:44 1774 Salzburg Symphony No. 30: Score and critical ...
Another convention of G minor symphonies observed in Mozart's No. 25 and No. 40 was the choice of the subdominant of the relative key (B ♭ major), E ♭ major, for the slow movement; other non-Mozart examples of this practice include J. C. Bach Op. 6, No. 6, from 1769, Haydn's No. 39 (1768/69) and Johann Baptist Wanhal's G minor symphony ...
Mozart's Symphony No. 25 in G minor K. 183 is another excellent example. Mozart would sometimes switch his focus between operas and instrumental music. He produced operas in each of the prevailing styles: opera buffa , such as Le nozze di Figaro , Don Giovanni , and Così fan tutte ; opera seria , such as Idomeneo ; and Singspiel , of which Die ...
183 183: 173dB: Symphony No. 25 in G minor, "Little G minor Symphony" 5 October 1773 17 Salzburg 174 174: 174: String Quintet No. 1 in B-flat: December 1773 17 Salzburg 175 175: 175: Piano Concerto No. 5 in D: December 1773 17 Salzburg 176 176: 176: 16 Minuets December 1773 17 Salzburg 201 201: 186a: Symphony No. 29 in A: 6 April 1774 18 ...
Symphony No. 5, Op. 36 (1889–91) Johan Peter Emilius Hartmann: Symphony No. 1, Op. 17 (1835) Joseph Haydn: Symphony No. 39 (by 1768) Symphony No. 83 "La Poule" (1785) Andrés Isasi y Linares: Symphony No. 2 (1918) Vasily Kalinnikov: Symphony No. 1 (1894-5) [13] Jan Kalivoda: Symphony No. 7, WoO/01 (1841) [14] Paul Kletzki: Symphony No. 2 ...
The Symphony in A minor "Odense", K. Anh. 220/16a/Anh.C 11.18, was formerly attributed to Wolfgang Amadeus Mozart.If the Odense Symphony had truly been Mozart's, it would be among only three of Mozart's symphonies (along with the G minor symphonies, No. 25 and No. 40) to be written in a minor key.
Mozart had already written a G minor symphony as a precocious 17-year-old, following the then-current trend of Sturm und Drang in music. This was his 25th symphony; it is sometimes called the "little G minor symphony" to distinguish it from the mature work discussed here. The two are the only extant minor key among Mozart's symphonies. [1] [a]