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Expo Expo is the second studio album by Japanese hip-hop group M-Flo. The thematic concept of the record is set at a virtual world expo, with Coldfeet of Lori Fine and narrator Mako Hattori participating in the interlude. Six singles were spawned off of the album, including "How You Like Me Now?"
Common for Japanese words that have been adopted into English, and the de facto convention for Hepburn used in signs and other English-language information around Japan. Tôkyô – indicated with circumflex accents, as in the alternative Nihon-shiki and Kunrei-shiki romanizations. They are often used when macrons are unavailable or difficult ...
This is the pronunciation key for IPA transcriptions of Japanese on Wikipedia. It provides a set of symbols to represent the pronunciation of Japanese in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
It is an intuitive method of showing Anglophones the pronunciation of a word in Japanese. It was standardized in the United States as American National Standard System for the Romanization of Japanese (Modified Hepburn), but that status was abolished on October 6, 1994. Hepburn is the most common romanization system in use today, especially in ...
Japanese phonology has been affected by the presence of several layers of vocabulary in the language: in addition to native Japanese vocabulary, Japanese has a large amount of Chinese-based vocabulary (used especially to form technical and learned words, playing a similar role to Latin-based vocabulary in English) and loanwords from other ...
"How You Like Me Now?" is a song by English rock band The Heavy. It was released as the third single from their second studio album The House That Dirt Built in August 2009. [1] The song samples "Let a Woman Be a Woman" by Dyke and the Blazers. [2] The song has been used in media on countless occasions and peaked at number 122 on the Billboard ...
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Japanese wordplay relies on the nuances of the Japanese language and Japanese script for humorous effect, functioning somewhat like a cross between a pun and a spoonerism. Double entendres have a rich history in Japanese entertainment (such as in kakekotoba ) [ 1 ] due to the language's large number of homographs (different meanings for a given ...