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Provincetown Printers were a group of artists, most of them women, who created art using woodblock printing techniques in Provincetown, Massachusetts during the early 20th-century. [1] [2] It was the first group of its kind in the United States, developed in an area when European and American avant-garde artists visited in number after World ...
For artists with more than one type of work in the collection, or for works by artists not listed here, see the Artic website or the corresponding Wikimedia Commons category. Of artists listed, less than 10% are women. For the complete list of artists and their artworks in the collection, see the website.
In 1924, after serving in the United States Army and traveling across Europe, Moffett returned to Provincetown, Massachusetts and became one of the early founders of the Provincetown Art Association and Museum (PAAM). [4] Moffett had his first one-man show at the Frank Rehn Gallery in New York and also at The Art Institute of Chicago in 1928. [6]
Artist groups and collectives in Chicago, Illinois. Arts groups that provide support for and are organized by artists (e.g., visual artists, musicians, actors, painters, poets, authors), that are based in Chicago, and whose membership is primarily artists supporting art works and other artists.
The Fine Arts Work Center is a non-profit enterprise that supports emerging visual artists and writers in Provincetown, Massachusetts.The Work Center was founded in 1968 by a group of American artists and writers to support promising individuals in the early stages of their creative careers.
The Provincetown Players was a collective of artists, people and writers, intellectuals, and amateur theater enthusiasts. Under the leadership of the husband and wife team of George Cram “Jig” Cook and Susan Glaspell from Iowa, the Players produced two seasons in Provincetown, Massachusetts (1915 and 1916) and six seasons in New York City, between 1916 and 1922.
Norfeldt was an early member of the Provincetown Printers art colony in Massachusetts. [3] In 1921, Nordfeldt was elected an associate member of the Taos Society of Artists. [4] He exhibited his work frequently with the Chicago Society of Etchers both before and after the war, showing between 1911-1918 and 1926–1929. [1]
Whitney E. Smith noted in his doctoral dissertation that "The most important man for the Provincetown artists in [the FAP bureaucracy] was fellow-artist Vernon Smith." [3] In the summer of 1937, Smith was one of 12 Federal Art Project artists selected to tour the territory of Alaska and record their impressions.
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