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Fairest Lord Jesus, Ruler of all nature, O Thou of God and man the Son, Thee will I cherish, Thee will I honor, Thou, my soul’s glory, joy and crown Beautiful Savior! Lord of all the nations! Son of God and Son of Man! Glory and honor, praise, adoration, Now and forever more be Thine.
The hymn appeared in both High German, such as a Frankfurt print of 1563, [2] and in Low German spoken mainly in northern Germany, such as the 1565 hymnal Enchiridion geistliker leder und Psalmen from Hamburg, titled "Ein gebedt tho Christo umme ein salich affscheidt uth dissem bedröneden leuende" (A prayer to Christ for a blessed departure from this troubled life). [3]
Augustine's writings document the Manichean devotion to Jesus. Manichean hymns to Jesus are preserved in a variety of languages, especially Coptic from 4th century Egypt and, to a lesser extent, Parthian, Sogdian, Middle Persian, and Uighur, from Karakhoja in the 8th to 11th centuries, and even Middle Chinese, 8th century North China.
The rousing, repetitive nature of this folksy tune demands some toe-tapping. No wonder it became a popular English Christmas carol, dating back to the 17th century. 'Mary's Boy Child'
The incarnation implies three facts: (1) The divine person of Jesus Christ; (2) The human nature of Jesus Christ; (3) The hypostatic union of the human with the divine nature in the divine person of Jesus Christ. Without diminishing his divinity, he added to it all that is involved in being human. [15]
Oh Dearest Jesus Johann Heermann: Johann Crüger: German 1630 "O Haupt voll Blut und Wunden" O Sacred Head, Now Wounded Paul Gerhardt: Hans Leo Hassler: German 1656 "Jesu Leiden, Pein und Tod" Suffering, pain and death of Jesus Paul Stockmann: Melchior Vulpius: German 1633 "Jesu, meines Glaubens Zier" Gottfried Wilhelm Sacer: Zahn 6453 (1714)
[5] [6] Six months later, charges were brought against Rogers for "compiling an Hymn Book, and selling it as the one selected and published by sister Emma Smith", among other things. [5] [7] Despite the unauthorized nature of Rogers's hymnal, it demonstrated a need for new hymnbooks and a trend towards using hymns authorized by Latter Day Saints.
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.