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Gibson Maestro FZ-1 Fuzz-tone. The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "Satisfaction".
The Fuzz Face is particularly similar to the Sola Sound unit known today as the "Mk1.5" Tone Bender. The main difference is that the Fuzz Face is biased slightly colder, making it more usable in warm environments. [clarification needed] The original instructions even described the Fuzz Face as a "Tone-Bending" unit. [3]
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
The Fuzz-Tone was born. The two engineers sold their circuit to Gibson , who commercialized the device in 1962 under the name Maestro FZ-1 Fuzz-Tone . While the initial run of 5000 units was a commercial failure, sales soared after The Rolling Stones ' Keith Richards used an FZ-1 to record the main riff of the band's hit 1965 song (I Can't Get ...
Barnard's main guitar during his time as a Playboy was a blond Epiphone Emperor arch top model which he inherited from Jimmy Wyble after he replaced Wyble in 1945. Barnard also used a Gibson ES-150 from time to time but it was the Epiphone that was to become his main instrument as he developed his style and modified his equipment to match it.
The controls are 'Balance' (volume), 'Expander' (fuzz amount), a two position 'tone' switch, and an on/off footswitch on top. There are two unique features of this device that set it apart from other distortion and fuzz pedals. The first is that the full-wave rectification of the circuit produces an upper octave as well as a slight lower octave.
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