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The first published collection of double dactyls by a single author was Centicore Poems, [Series] I; being, A Non-canonical Collection of Entirely Prejudiced Double Dactyls "perpetrated by Jay Dillon" (Ann Arbor, Michigan: Dactylomaniac Press, 1972), OCLC (Worldcat) no. 498258515. Only one copy of this book is known to survive, in the British ...
The Mad Libs books were conceived around the same time as Strachey wrote the love letter generator. [3] It was also preceded by John Clark's Latin Verse Machine (1830-1843), the first automated text generator.
The Postmodernism Generator is a computer program that automatically produces "close imitations" of postmodernist writing. It was written in 1996 by Andrew C. Bulhak of Monash University using the Dada Engine, a system for generating random text from recursive grammars. [1] A free version is also hosted online.
Punctuation is an object of interpretation in poetry; it is semantic. [4] In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of punctuation increases the ...
A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
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A mesostic is a poem or other text arranged so that a vertical phrase intersects lines of horizontal text. It is similar to an acrostic, but with the vertical phrase intersecting somewhere in the midst of the line, as opposed to the beginning of each line.