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Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
The bonding between the glass or ceramics and the glass solder can be either covalent, or, more often, van der Waals. [12] The seal can be leak-tight; glass soldering is frequently used in vacuum technology. Glass solders can be also used as sealants; a vitreous enamel coating on iron lowered its permeability to hydrogen 10 times. [13]
Small irons rapidly cool when used to solder to, say, a metal chassis, while large irons have tips too cumbersome for working on printed circuit boards (PCBs) and similar fine work. A 25-watt iron will not provide enough heat for large electrical connectors, joining copper roof flashing, or large stained-glass lead came.
Peter Mollica was a central figure, perhaps the earliest, of a generation of West Coast stained glass artists who emerged in the late 1960s and early ’70s. During his Massachusetts apprenticeship, Mollica was inspired by the contemporary German architectural glass he discovered when reading Robert Sowers’ Stained Glass: An Architectural Art ...
The resulting solid panel is quite durable and appropriate for architectural settings or outdoor panels. [citation needed] The use of thicker glass produces deeper colour effects than traditional lead came stained-glass, especially when illuminated by bright natural or artificial light. [1] [2]
Stained glass conservation refers to the protection and preservation of historic stained glass for present and future generations. It involves any and all actions devoted to the prevention, mitigation , or reversal of the processes of deterioration that affect such glassworks and subsequently inhibit individuals' ability to access and ...
Stained glass Panels produced by this workshop were sent to different cities and provinces in Canada such as Montreal, Hull and New Brunswick. Pierre Osterrath followed on to become a renowned glass artist in Quebec and led in the creation of large stained glass panels on display in the Montreal metro system such as the ones found at the Berri ...
G. Owen Bonawit (1891–1971) was an artist whose studio created thousands of pieces of stained glass for Yale, Duke, Northwestern, and Southeast Missouri State universities; Connecticut College; Bethesda By The Sea Episcopal Church in Palm Beach, Florida [1] and at private homes.