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Brian Houston – executive producer; Darlene Zschech – producer, worship leader; Russell Fragar – producer, piano, music director; Marty Sampson – vocalist; Steve McPherson – vocalist
"Mrs. Potter's Lullaby" is a single by American rock band Counting Crows. It is the second track on their third album, This Desert Life (1999). The song reached number three on the US Billboard Adult Alternative Songs chart and number 16 on the Canadian RPM Top 30 Rock Report .
"Put Your Hand in the Hand" is a gospel pop song composed by Gene MacLellan and first recorded by Canadian singer Anne Murray in 1970 on her third studio album, Honey, Wheat and Laughter. It became a hit single for the Canadian band Ocean , released as their debut single and title track to their 1971 debut album.
Moonlight on the Highway is a television play by Dennis Potter, first broadcast in the United Kingdom on 12 April 1969 as part of ITV's Saturday Night Theatre strand. The tale of a young Al Bowlly fanatic attempting to blot out memories of sexual abuse via his fixation with the singer, the play was the first of Potter's works to use popular music as a dramatic device and strongly anticipated ...
The track is named for Harry Potter's pet owl, Hedwig. Since being featured in The Philosopher's Stone soundtrack, the piece's main theme was further developed by Williams for The Chamber of Secrets and The Prisoner of Azkaban, and by Patrick Doyle, Nicholas Hooper, and Alexandre Desplat for the remaining five Harry Potter films.
A Very Potter Musical tells the story of Harry Potter's return to Hogwarts School of Witchcraft and Wizardry, his participation in the House Cup Championship, the trials and tribulations of adolescence, and the return of the dark wizard Lord Voldemort and the Golden Trio's attempts to destroy the Horcruxes.
Bobby Peacock of Roughstock rated the song four-and-a-half stars out of five, praising Chesney's and Potter's vocals and the "understated simplicity" of the lyrics. [9] Bill Friskics-Warren of The Washington Post thought that the song had an Americana influence and made the album Chesney's "most stylistically wide-ranging to date." [10]
"For the album cover Waits wanted to convey the film-noir mood that coloured so many of the songs. Veteran Hollywood portraitist George Hurrell was hired to shoot Waits, both alone and in a clutch with a shadowy female whose ring-encrusted right hand clamped a passport to his chest. The back-cover shot of Tom was particularly good, casting him ...