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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A good example of the deliberate creation of sonic artifacts is the addition of grainy pops and clicks to a recent recording in order to make it sound like a vintage vinyl record. Flanging and distortion were originally regarded as sonic artifacts; as time passed they became a valued part of pop music production methods. Flanging is added to ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
A click is a sonic artifact in sound and music production, characteristically impulse-like, that is to say, almost instantaneous, sharp, aharmonic sound. Analog recording artifact [ edit ]
Music production (10 C, 43 P) R. Sound recording (20 C, ... Pages in category "Sound production" The following 37 pages are in this category, out of 37 total ...
In music the different forms of linear distortion have specific names describing them. The simplest of these is a distortion process known as "volume adjustment", which involves distorting the amplitude of a sound wave in a proportional (or 'linear') way in order to increase or decrease the volume of the sound without affecting the tone quality.
When a sine wave is mixed with one of identical frequency but opposite amplitude (ie: of an inverse polarity), the combined result is silence. [2] A two-channel stereo recording contains a number of waveforms; sounds that are panned to the extreme left or right will contain the greatest difference in amplitude between the two channels, while those towards the centre will contain the smallest.
Musical tones produced by the human voice and all acoustical musical instruments incorporate noises in varying degrees. Most consonants in human speech (e.g., the sounds of f, v, s, z, both voiced and unvoiced th, Scottish and German ch) are characterised by distinctive noises, and even vowels are not entirely noise free.