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Shave and a Haircut" and the associated response "two bits" is a seven-note musical call-and-response couplet, riff or fanfare popularly used at the end of a musical performance, usually for comedic effect. It is used melodically or rhythmically, for example as a door knocker.
A door knocker is an item of door furniture that allows people outside a house or other dwelling or building to alert those inside to their presence. A door knocker has a part fixed to the door, and a part (usually metal) which is attached to the door by a hinge, and may be lifted and used to strike a plate fitted to the door, or the door itself, making a noise.
The sound of a bullet entering a person from a close distance may sound nothing like the sound designed in the above example, but since very few people are aware of how such a thing actually sounds, the job of designing the effect is mainly an issue of creating a conjectural sound which feeds the audience's expectations while still suspending ...
Foley can also include other sounds, such as doors closing and doorbells ringing; however, these tend to be done more efficiently using stock sound effects, arranged by sound editors. Foley effects help the viewer judge the size of a space. For example, a large hall has strong reverberation, while a small room may have only slight reverberation ...
Prerecording also allowed the same sound effect to be used many times. Both producers' and listeners' sensibilities began evolving with the technology, and the need for more realistic sound effects or for using the "real" sound increased. Therefore, a more urgent need developed for prerecorded sound effects.
Wesley Bryon Harrison (January 31, 1925 - July 21, 2019), better known as Wes Harrison and nicknamed Mr. Sound Effects, was an American comedian and voice actor, notable for his ability to create realistic sound effects using only his voice and a Shure 530 Slendyne microphone. [1] Harrison had a comic style reminiscent of Red Skelton.
Sound effects were a knock on the door and tramps on gravel – that was it, and I tried to transform it." [1]: 44 Many of the sound effects created for later programmes featured innovative production techniques borrowed from the realm of musique concrète, and using the then new technology of magnetic tape. Many of these sequences involved the ...
Plays were performed in medieval times in a form of theatre called Commedia dell'arte, which used music and sound effects to enhance performances. The use of music and sound in the Elizabethan Theatre followed, in which music and sound effects were produced off-stage using devices such as bells, whistles, and horns. Cues would be written in the ...