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Artha, as a goal of life, involves the pursuit of wealth and power. Some traditions see it as the primary human objective, as noted in Manusmriti (2.224). The Arthashastra (1.7.6) emphasizes Artha's importance, with Kautilya stating that material gain is the most crucial of the three ends of life, as it supports the realization of dharma and ...
Gṛhastha is considered to be the most intense of all four stages, where a man or woman pursues all four goals of life, with greater emphasis on first three - Dharma, Artha and Kama. [4] [5] [12] In contrast, Sannyasa is the stage where the individual renounces Artha and Kama, and pursues Moksha with a single minded pursuit. [4] [7]
[41] [6] The division into 15, 150, and 180 of books, chapters and topics respectively was probably not accidental, states Olivelle, because ancient authors of major Hindu texts favor certain numbers, such as 18 Parvas in the epic Mahabharata. [42] The largest book is the second, with 1,285 sentences, while the smallest is eleventh, with 56 ...
The proper pursuit of artha is considered an important aim of human life in Hinduism. [ 21 ] [ 22 ] Kama – signifies desire, wish, passion, emotions, pleasure of the senses, the aesthetic enjoyment of life, affection, or love, with or without lustful connotations. [ 23 ]
Smriti is a derivative secondary work and is considered less authoritative than Sruti in Hinduism, except in the Mimamsa school of Hindu philosophy. [13] [22] [23] The authority of smriti accepted by orthodox schools, is derived from that of shruti, on which it is based. [24] [25] The Smrti literature is a corpus of diverse varied texts. [13]
In Hindu traditions, moksha is a central concept [6] and the utmost aim of human life; the other three aims are dharma (virtuous, proper, moral life), artha (material prosperity, income security, means of life), and kama (pleasure, sensuality, emotional fulfillment). [7] Together, these four concepts are called Puruṣārtha in Hinduism. [8]
The fundamental theory of Indian classical music, art and poetry is grounded in the theory of Nada Brahman or Shabda Brahman, and is linked with the Vedic religion. [5] The Apara Brahman mentioned by Mandukya Upanishad is Nada Brahman or Shabda Brahman .
The term padārtha is a portmanteau of pada, "word" and artha, "meaning" or "referent", and so the term padārtha indicates "the meaning or referent of words". [ 3 ] Philosophical significance