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An assistant of Joseph, who represents Jesus's future Apostles, observes these events. In the background of the painting various objects are used to further symbolize the theological significance of the subject. A ladder, referring to Jacob's Ladder, leans against the back wall, and a dove which represents the Holy Spirit rests on it.
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
Raphael's last painting, "Transfiguration of Jesus", is a masterpiece that reflects his mastery of Renaissance painting techniques. However, it is also greatly influenced by the Byzantine style of art, particularly in terms of its use of color and perspective. In Byzantine art, color was used to convey spiritual and emotional meaning.
Christ Driving the Money Changers from the Temple is a painting by El Greco, from 1568, now in the National Gallery of Art in Washington, D.C., in the United States. [1] It depicts the Cleansing of the Temple, an event in the Life of Christ.
Wethey regards the painting as a "masterpiece of extraordinary originality". [6] The powerful effect of the painting especially depends upon his original and forceful use of colour. Something of the effect of the grand images of the Saviour in Byzantine art is recalled; by this date the disrobing was a rare subject in Western art. [7]
Medieval wall painting showing the sequence of Crucifixion, Deposition, Lamentation/Pietà, Anointing, with part of an Entombment or Resurrection on the extreme right As the depiction of the Passion of Christ increased in complexity towards the end of the first millennium, a number of scenes were developed covering the period between the death ...
San Baudelio was constructed in the eleventh century, but the frescoes were not added for another century. There are two distinct cycles: the upper walls were covered in colorful scenes from Christ's life, while the lower walls depicted hunt scenes and exotic animals indicative of the Islamic influence in the region. [1]
In 1961 a visitor attacked the painting with a stone and tore the canvas with his hands. [8] It was restored over several months by conservators at Kelvingrove and returned to public display. [9] In 1993, the painting was moved to the city's St Mungo Museum of Religious Life and Art, returning to Kelvingrove for the latter's reopening in July 2006.