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"E la luna bussò" (also graphically rendered as "...e la luna bussò") is an Italian reggae ballad written by Mario Lavezzi, Oscar Avogadro and Daniele Pace and performed by Loredana Bertè. One of Bertè's major hits, it stayed on the Italian Singles Chart for 29 weeks. [1] It is regarded as the first reggae song produced in Italy. [2]
SirsiDynix announced the BLUEcloud Library Services Platform (LSP) at the annual users group conference, COSUGI. It is a browser-based system that will integrate SirsiDynix's "administration, discovery, acquisition, and collection management applications."
Loredana Bertè (Italian pronunciation: [loreˈdaːna berˈtɛ]; born 20 September 1950) is an Italian singer, songwriter and actress.She has worked with prominent Italian songwriters such as Pino Daniele, Ivano Fossati, Mario Lavezzi, Mango and Enrico Ruggeri, among others; her sister Mia Martini was also an acclaimed singer.
The classical pieces are "How Fair This Place" ("Здесь хорошо") by Rachmaninov; "Figlio Perduto" is based on the second movement "Allegretto" of Ludwig van Beethoven's Symphony No. 7; "Solo Con Te" is based on Siegfried Ochs' (attributed to Handel) Dank sei dir, Herr; "La Luna" is an adapted Italian version of the aria "Song to the Moon" from Dvořák's opera Rusalka.
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Cc'è la luna n menzu ô mari" (Sicilian for 'There's the moon amid the sea'), mostly known in the English-speaking world as "C'è la luna mezzo mare", "Luna mezz'o mare" and other similar titles, is a comic Sicilian song with worldwide popularity, traditionally styled as a brisk 6 8 tarantella. The song portrays a mother-daughter "coming of ...
"Sei bellissima" is an Italian song written by Claudio Daiano and Gian Pietro Felisatti and performed by Loredana Bertè. During the years Bertè claimed to be the actual composer of the song, but that at the time she was unable to sign it as she was not a member of SIAE.
"Non sono una signora" (i.e. "I am not a lady") is an Italian pop-rock song written by Ivano Fossati and performed by Loredana Bertè. Considered Bertè's signature song, it has influenced her provocative imagine and aggressive style in the following years of career. [1] It has been described as a "career catch" song for Berté. [2]