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In contrast, BusinessWorld called it a "wonderful, delightful album" and praised it for mixing mainstream pop jazz with more adventurous sounds. [3] The Record (New Jersey) called it "timeless music played with reverence and charm"; they also noted that all the guitarists on the record were far more skilled than George Harrison .
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Shelly Manne & his Friends* (*André Previn and Leroy Vinnegar): modern jazz performances of songs from My Fair Lady, as the full name appeared on the 12-inch LP jacket (Contemporary Records C3527), was begun when drummer Shelly Manne, pianist André Previn, and bassist Leroy Vinnegar assembled on August 17, 1956, in the Contemporary studios in Los Angeles to produce an album of jazz versions ...
Muse Records was founded by Joe Fields in 1972. Fields sold the label in 1996 to Joel Dorn who released four compilation albums from Mark Murphy's Muse catalogue on the 32 Jazz label, Stolen...And Other Moments, Jazz Standards, Songbook, and Mark Murphy Sings Nat King Cole & More. [1]
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
Download QR code; Print/export Download as PDF; Printable version; ... Pages in category "Songs about jazz" The following 22 pages are in this category, out of 22 total.
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The album was recorded with the Modern Jazz Quartet and a 22-piece orchestra. [4] Pianist John Lewis wrote and arranged the original score. Although he had already written music for No Sun in Venice, this was the first time Lewis—given early 16 mm film proofs—composed along the story-line rather than delivering “a set of isolated pieces ...