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  2. Diminished triad - Wikipedia

    en.wikipedia.org/wiki/Diminished_triad

    If the music is in a minor key, diminished triads can also be found on the raised seventh note, ♯ vii o. This is because the ascending melodic minor scale has a raised sixth and seventh degree. For example, the chord progression ♯ vii o –i is common. The leading-tone diminished triad and supertonic diminished triad are usually found in ...

  3. D minor - Wikipedia

    en.wikipedia.org/wiki/D_minor

    D minor is a minor scale based on D, ... The scale degree chords of D minor are: Tonic – D minor; Supertonic – E diminished;

  4. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally performed unless specified in ...

  5. Roman numeral analysis - Wikipedia

    en.wikipedia.org/wiki/Roman_numeral_analysis

    D ♯ ø7 becomes VII ø7 (also VII m7b5, VII-7b5, or VII ø) In popular music and rock music, "borrowing" of chords from the parallel minor of a major key is commonly done. As such, in these genres, in the key of E major, chords such as D major (or ♭ VII), G major (♭ III) and C major (♭ VI) are commonly used. These chords are all ...

  6. Chord (music) - Wikipedia

    en.wikipedia.org/wiki/Chord_(music)

    Secundal chords can be decomposed into a series of (major or minor) seconds. For example, the chord C–D–E ♭ is a series of seconds, containing a major second (C–D) and a minor second (D–E ♭). Quartal chords can be decomposed into a series of (perfect or augmented) fourths. Quartal harmony normally works with a combination of perfect ...

  7. Toccata and Fugue in D minor, BWV 565 - Wikipedia

    en.wikipedia.org/wiki/Toccata_and_Fugue_in_D...

    The section ends with a diminished seventh chord which resolved into the tonic, D minor, through a flourish. The second section of the Toccata is a number of loosely connected figurations and flourishes; the pedal switches to the dominant key, A minor.

  8. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    The sharpened subdominant diminished triad with minor seventh chord is represented with the Roman numeral notation ♯ iv ø 7; the root of this chord is the raised subdominant (sharpened fourth). That root also serves as the leading tone to the dominant when used in the vii ø 7 /V function described above; such a function is the diminished ...

  9. Diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Diminished_seventh_chord

    The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, ♭ 3, ♭ 5, 7). For example, the diminished seventh chord built on B, commonly written as B o 7, has pitches B-D-F-A ♭: