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The musical term alto, meaning "high" in Italian (Latin: altus), historically refers to the contrapuntal part higher than the tenor and its associated vocal range.In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
Large musical composition for orchestra, choir, and soloists Pasticcio: pastiche: A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato
The contralto singing voice has a vocal range that lies between the F below "middle C" (F 3) to two Fs above middle C (F 5) and is the lowest type of female voice.In the lower and upper extremes, some contralto voices can sing from two Bs below middle C (B 2) [1] to two B ♭ s above middle C (B ♭ 5).
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ. Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
alto High; often refers to a particular range of voice, higher than a tenor but lower than a soprano alzate sordini Lift or raise the mutes (i.e. remove mutes) am Steg (Ger.) At the bridge (i.e. playing a bowed string instrument near its bridge, which produces a heavier, stronger tone); see sul ponticello amabile Amiable, pleasant ambitus
An Anglican choir typically uses "SATB" voices (soprano or treble, alto or counter-tenor, tenor, and bass), though in many works some or all of these voices are divided into two for part or all of the piece; in this case the two halves of the choir (one on each side of the aisle) are traditionally named decani and cantoris which sing ...
First sopranos typically have the melody, with second sopranos and altos in harmonies. Women's choirs frequently sing a mixture of SSA and SSAA songs, and in order to create optimal balance, voices may be divided differently in an SSAA arrangement. Some mezzo-sopranos will sing the First Alto line. SSA is the more common arrangement by volume ...