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Godzilla Raids Again (Japanese: ゴジラの逆襲, Hepburn: Gojira no Gyakushū, lit. ' Godzilla's Counterattack ') is a 1955 Japanese kaiju film directed by Motoyoshi Oda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the second film in the Godzilla franchise, and a sequel to Godzilla (1954).
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack [a] (often abbreviated as GMK) [3] [4] is a 2001 Japanese kaiju film directed and co-written by Shusuke Kaneko. The 26th film in the Godzilla franchise and the third of the Millennium era , it serves as a direct sequel to Godzilla (1954), ignoring the events of every other ...
Anguirus as appeared on theatrical release poster for Godzilla Raids Again. In his first appearance in Godzilla Raids Again, it is explained that Anguirus is capable of moving incredibly fast in spite of his bulk due to his brain extending into his chest and abdominal areas, allowing him to react more quickly.
Godzilla: King of the Monsters [d] is a 2019 American [b] monster film directed and co-written by Michael Dougherty.Produced by Legendary Pictures [a] and distributed by Warner Bros. Pictures, it is a sequel to Godzilla (2014) and the third film in the Monsterverse.
Apr. 5—Rebecca's Take Team Godzilla or Team Kong? That's the question "Godzilla vs. Kong" poses as the two legendary kaiju come face-to-face for the first time on the silver screen since 1962.
Firing its gravity beams at him, Godzilla's body begins to glow again, seemingly using Ghidorah's attack to regain his energy. He awakens and fires his atomic breath at Ghidorah, causing to two kaiju's beams to lock. Godzilla's beam gradually begins to overpower Ghidorah's, moving closer until it strikes at Ghidorah, creating a blinding explosion.
A downtown Los Angeles building made famous as the setting of an album cover photo for the legendary rock band the Doors was heavily damaged after fire broke out Thursday morning.
Writer Max Borenstein stated that the Monsterverse did not begin as a franchise but as an American reboot of Godzilla.Borenstein credits Legendary Entertainment's founder and then CEO Thomas Tull as the one responsible for the Monsterverse, having acquired the rights to Godzilla and negotiated the complicated rights to King Kong.
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