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"How Long, How Long Blues" is based on "How Long Daddy", recorded in 1925 by Ida Cox with Papa Charlie Jackson. [2] On June 19, 1928, Leroy Carr, who sang and played piano, and guitarist Scrapper Blackwell recorded the song in Indianapolis, Indiana, for Vocalion Records, shortly after they began performing together. [3]
Hokum is a particular song type of American blues music—a song which uses extended analogies or euphemistic terms to make humorous, [1] sexual innuendos. This trope goes back to early dirty blues recordings, enjoyed huge commercial success in the 1920s and 1930s, [ 1 ] and is used from time to time in modern American blues and blues rock .
Urban blues [266] Big Maceo Merriweather: 1905 1953 Georgia Barrelhouse blues [267] Amos Milburn: 1927 1980 Texas Urban blues [268] Luke "Long Gone" Miles: 1925 1987 Louisiana Texas blues [269] Roy Milton: 1907 1983 Oklahoma Jump blues [270] Gatemouth Moore: 1913 2004 Kansas Urban blues [271] Johnny B. Moore: 1950 Mississippi Chicago blues [272 ...
The 1920s brought new styles of music into the mainstream of culture in avant-garde cities. Jazz became the most popular form of music for youth. [ 60 ] Historian Kathy J. Ogren wrote that, by the 1920s, jazz had become the "dominant influence on America's popular music generally". [ 61 ]
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
"Crawling King Snake" (alternatively "Crawlin' King Snake" or "Crawling/Crawlin' Kingsnake") is a blues song that has been recorded by numerous blues and other artists. It is believed to have originated as a Delta blues in the 1920s [ 1 ] and be related to earlier songs, such as "Black Snake Blues" by Victoria Spivey [ 2 ] and "Black Snake Moan ...
Men begin to dominate recordings of blues music, after women have been the most common recording performer since 1920. [9] John Dopyera and his brothers invent the Dobro guitar in response to requests for a louder instrument. [60] The Soul Stirrers, the "real creators of the modern gospel sound", is formed by Roy Crain in Trinity, Texas. [155]
This came in the 1920s, when classic female blues singers like Ma Rainey, Bessie Smith and Mamie Smith grew very popular; the first hit of this field was Mamie Smith's "Crazy Blues". These urban blues singers changed the idea of popular music from being simple songs that could be easily performed by anyone to works primarily associated with an ...